When Rode unveiled the original Rodecaster Pro it was something unusual: a capable mixing desk with a singular focus on podcasting. It made it easy to record multiple guests in person or over the internet/phone, while adding background music and audio enhancements in real time or with minimal processing in post. A mini radio station in a box if you will.

Today, Rode is announcing its successor, the Rodecaster Pro II, and the messaging this time is that it’s for all creators, be that podcasting, streaming or music production. The new hardware looks familiar, but brings with it several changes that should improve your audio wherever and whatever you publish.

The most obvious difference you’ll see here is the smaller footprint. The Rodecaster Pro II loses two physical fader strips in favor of occupying less desk space. You still have as many channels available, but some are assigned to virtual controls and it feels like the right move to save desk space.

Other external hardware tweaks include an all new contextual rotary control and the move to combo ports around the back rather than just straight XLR connections like the original. This opens the Rodecaster Pro II to things like guitars and synthesizers without occupying other inputs or needing adapters.

Whatever you plug into the new Rodecaster it should sound better as it comes equipped with new preamps that can drive even the most hungry of microphones (looking at you SM7B). Rode claims the new preamps are so powerful and quiet that using an in-line signal booster like a FetHed or Cloudlifter would technically be detrimental, not beneficial, to your audio quality. This remains to be tested, of course, but it’s good news either way if you have a microphone that needs a lot of gain.

On the listening side of things, Bluetooth on the Rodecaster Pro II supports audio out as well as in, which means you can get funky and monitor your show wirelessly on speakers or headphones. Rode also claims if you record call-in guests over Bluetooth there should be improved sound quality also (at least between the phone and the mixer – obviously not the cellular network).